Content and its discontents

This is not content. It is a poorly thought-out essay, dashed off in a pre-dawn fit. It is what writers back in the day would have scribbled in near-illegible scrawl in some notebook, or on the back of some list of tack to be repaired or tasks to be completed that week. This is the…

The Slow Spread of our Fragmented Songs of Self

Over the last few days, I’ve been talking a lot to musicians from Pakistan. (Such is the nature of my work.) And it’s fascinating to hear about the way they are approaching their art. In a society where more collective identities (family, class, etc) have profound, determining impact on people’s lives, musicians and lyricists are…

May the circle be broken: Women’s lives and history

“There are no women geniuses,” a male friend announced to me one evening. I began to list a few women I considered geniuses–Hildegard von Bingen, for example, and Claira Schumann and Virginia Woolf came to mind instantly–and he replied that he didn’t know any of them (this was in a non-English speaking context) and so…

First Night’s Dream

Somewhere, an image of me hangs in the bedroom of a certain computer software company exec’s home. He–I assume it’s he–doesn’t know it’s me. I heard he is head of encryption for this company. It’s a painting by two talented artist friends, who did a long series of works inspired by dreams. The painting was…

Here be dragons: the past as fantasy

It’s really quite simple. What makes a story fall into one genre (Fantasy) versus another (Sci-Fi) is a continuum of imagined time, usually as defined by technology and faith systems. In the former, belief is limited to supernatural concepts, allowing space for the banished world of magic, spirits, and the like, the ghosts that still…

Freedom and enslavement in the age of eccentrics, or Haunted by Continuity

This article makes a great argument: The notoriously annoying, time-consuming registration process that looms over so many aspects of life in Russia is merely an extension of serfdom. It is, in fact, desperately difficult to escape the striking continuities between the old Russian Imperial system, especially under Nikolai I, and what is currently afoot in Russia….

From Mikhail Lunin’s diary (1837)

“Death is the strongest evidence of love. Death is also the strongest evidence of truth. It’s a dissonance in the general harmony of things, which prepares and leads to perfect accord.” —Mikhail Lunin